Chapter 1
Such then are the materials which we must employ in exhorting and dissuading, praising and blaming, accusing and defending, and such are the opinions and propositions that are useful to produce conviction in these circumstances; for they are the subject and source of enthymemes, which are specially suitable to each class (so to say) of speeches. 1 But since the object of Rhetoric is judgement—for judgements are pronounced in deliberative rhetoric and judicial proceedings are a judgement—it is not only necessary to consider how to make the speech itself demonstrative and convincing, but also that the speaker should show himself to be of a certain character and should know how to put the judge into a certain frame of mind. For it makes a great difference with regard to producing conviction—especially in demonstrative, and, next to this, in forensic oratory—that the speaker should show himself to be possessed of certain qualities and that his hearers should think that he is disposed in a certain way towards them; and further, that they themselves should be disposed in a certain way towards him. 2 In deliberative oratory, it is more useful that the orator should appear to be of a certain character, in forensic, that the hearer should be disposed in a certain way; for opinions vary, according as men love or hate, are wrathful or mild, and things appear either altogether different, or different in degree; for when a man is favorably disposed towards one on whom he is passing judgement, he either thinks that the accused has committed no wrong at all or that his offence is trifling; but if he hates him, the reverse is the case. And if a man desires anything and has good hopes of getting it, if what is to come is pleasant, he thinks that it is sure to come to pass and will be good; but if a man is unemotional or not hopeful 3 it is quite the reverse.
For the orator to produce conviction three qualities are necessary; for, independently of demonstrations, the things which induce belief are three in number. These qualities are good sense, virtue, and goodwill; for speakers are wrong both in what they say and in the advice they give, because they lack either all three or one of them. For either through want of sense they form incorrect opinions, or, if their opinions are correct, through viciousness they do not say what they think, or, if they are sensible and good, 4 they lack goodwill; wherefore it may happen that they do not give the best advice, although they know what it is. These qualities are all that are necessary, so that the speaker who appears to possess all three will necessarily convince his hearers. The means whereby he may appear sensible and good 5 must be inferred from the classification of the virtues; 6 for to make himself appear such he would employ the same means as he would in the case of others. We must now speak of goodwill and friendship in our discussion of the emotions.
The emotions are all those affections which cause men to change their opinion in regard to their judgements, and are accompanied by pleasure and pain; such are anger, pity, fear, and all similar emotions and their contraries. And each of them must be divided under three heads; for instance, in regard to anger, the disposition of mind which makes men angry, the persons with whom they are usually angry, and the occasions which give rise to anger. For if we knew one or even two of these heads, but not all three, it would be impossible to arouse that emotion. The same applies to the rest. Just as, then, we have given a list of propositions 7 in what we have previously said, we will do the same here and divide the emotions in the same manner.
Not an exact copy, but making a kind of pair with it, and corresponding to it as the antistrophe to the strophe in a choral ode.↩︎
Or “and they (Rhetoric and Dialectic) are not confined.”↩︎
The special characteristic of an art is the discovery of a system or method, as distinguished from mere knack ( ἐμπειρία ).↩︎
Manuals or handbooks treating of the rules of any art or science.↩︎
His functions were a combination of those of the modern judge and juryman.↩︎
That is, forbid speaking of matters that have nothing to do with the case.↩︎
Systematic logical proofs (enthymeme, for example), including testimony as to character and appeals to the emotions (2.3), which the rhetorician has to invent ( εὑρεῖν , inventio ) for use in particular cases. They are contrasted with “inartificial” proofs, which have nothing to do with the rules of the art, but are already in existence, and only need to be made use of. The former are dealt with in chs. 4-14, the latter in ch. 15 of this book.↩︎