Scoring Sound

Thor Magnusson

Table of Contents

Preface

Preface
Introduction
- About the Installation

Part I

Chapter 1 - The SuperCollider language
Chapter 2 - The SuperCollider Server
Chapter 3 - Controlling the Server
Chapter 4 - Interfaces and Communication (GUI/MIDI/OSC)

Part II

Chapter 5 - Additive Synthesis
Chapter 6 - Subtractive Synthesis
Chapter 7 - Modulation
Chapter 8 - Envelopes and shaping sound
Chapter 9 - Samples and Buffers
Chapter 10 - Granular and Concatenative Synthesis
- Granular Synthesis
- Concatenative Synthesis
Chapter 11 - Physical Modelling

Part III

Chapter 12 - Time Domain Audio Effects
Chapter 13 - Fast Fourier Transform (FFT)
- Fast Fourier Transform examples
- Language manipulation of bins
Chapter 14 - Busses, Nodes, Groups and Signalflow

Part IV

Chapter 14 - Musical Patterns on SC Server
Chapter 15 - Musical Patterns in the SCLang
Chapter 16 - JIT lib and ProxySpace
Chapter 18 - Tuning Systems and Scales

Part V

Chapter 19 - Creating Classes
- Creating Classes
Chapter 20 - Functional Programming
- Functional Programming
Chapter 21 - Live Coding
Chapter 22 - Other clients
Chapter 23 - Twitter code

Scoring Sound/Part V/Chapter 22 - Other clients

Chapter 22 - Other clients

Not written yet . . .

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Chapter 23 - Twitter code

In this chapter

Chapter 22 - Other clients